阿拉爱上海后花园

Meditation "four seasons"

The "Four Seasons" is the cold two, the birds are hard, b is not December 20, the year.

Xu Dongdong Painting [Art Handbook] After eight years of creation and finishing, on the occasion of the Xinxin Spring Festival, the "Twenty-four Sky · Seventy-two Wan" series of group painting finally left.

In the sunny day, the Summer and the garden, and the cold tree in the sky seems to have a vague of spring. The ice of Kunming Lake reveals the crystal blue blue, and occasionally see a lake, and the ice is mixed. A bridge standing in the garden is looking forward to Xishan, actually has a group of swans and wild ducks to travel by the water. In winter, there is spring, yin to extremely, and the earth is so good. Dialogue with the heavens and the earth, feeling the four seasons, the universe changed, I have been in the past eight years, and I have never been disconnected from uninterrupted art.

Use abstract painting language to express the Chinese ancient twenty-four holiday seventy-two, this is an attempt that has never been there. It makes me have a new feeling against the sky, the place, and people, it is no longer the existence of the four seasons of scenery, but the trajectory of the painter’s soul beating between the universe.

The "Twenty-four Sky · Seventy-two" group painting is the first set of works in the "four seasons" series. "Spring rain is shocked and clear in the sky, Xia Man Mang is connected to the summer heat. The autumn is falling in the autumn, and the winter snow is small.

"The twenty-four hurdles can be chased to the ancient times, and the ancients have an interpretation of the neighborhood passwords in the universe. From the twenty-four holiday seventy-two, asked the four seasons of spring and summer, it is I face The universe can explore the creation of life in the nature of life. It is also a means of the four-season life question and answer. It has experienced the wisdom of China’s ancestors, understanding the understanding of the universe world including life birth, heaven and earth changes, and gives it abstraction Express. The creation of this set is the most in my work.

It carries my questions about China’s abstract painting ideas and paths, and pinning the spirit of Chinese culture to innovate and confident gestures to the world. Looking for abstract concepts in Chinese philosophy, making it my painting language, building Chinese-style abstract logic thinking, this is China’s abstract painting.

On the Met of the "Four Seasons" in the "four seasons" in the "four seasons", it is really a spirit that "the sky will drop the big, and must be a heart and the body."

Often throughout the general, I don’t sleep, Xiaoyu, the moonlight, and I am immersed in the ink.

Late night is concentrated, reminding yourself to vigilance, often flexing your thigh, sometimes scratching blood marks and don’t feel.

And that kind of sudden and cheerful happiness with new merits. The new technique is trying to make the hard creative process become 爱上海同城aish interesting. From spring into the summer, take the color of the rain and hydrated propylene, and the ink is fused in the pen tip, and it is drunk on the texture of ancient rice paper.

I am a bit rain, the bucket can be filled with the park, and it is very interesting. The expression of winter, the surface is more monotonous, but the key is in this "Tibet" word, how to have more "deep" and "Shen" performance, and take the sunny snow color color, very good.

Later, I simply gave the painting "Snow was", the color ink, the downtown, the snow, the snow, the snow, three times, different, the lower temperature, the effect is not the same, simply lift Painted in the snowy sky, obvious to change. Spring talent, summer rain, autumn wind, winter, sunny snow, really put your 上海嘉定品茶 soul in nature, in the face of universe, think of life, this is what I have not realized of.

The "Twenty-four Sky · Seventy-two" series of group paintings are not fashionable and technical inheritance.

Its innovation ideas and techniques are gradually improved in the tide of China’s reform and opening up and the establishment of Chinese cultural confidence.

It summarizes my experience in the image, impression, abstract painting. Experience in the "like" understanding and decades of creation, especially in the abstract painting of China in the past ten years.

It stood in a comparison of human cultural processes and East and Western cultures, and sent Chinese culture to the world’s wisdom, and question and answer on the relationship between human society and the natural nature. The four seasons are not awkward, everything is connected to the gas, the wind is angry, and the things are in the rhyme. The soul of human beings is very popular among the rhyme, people with everything blend in the vast space. Harmony is the beauty of the universe. (Author: Xu Dongdong, Department of National First Class, Xi’an Jiaotong University "(Editor: Meng Liyuan, Lu Wei) Sharing let more people see recommendation reading.